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''Athena Parthenos'' (; literally, "Athena the Virgin") is a lost massive chryselephantine (gold and ivory) sculpture of the Greek goddess Athena, made by Phidias and his assistants and housed in the Parthenon in Athens. Its epithet was an essential character of the goddess herself. A number of replicas and works inspired by it, both ancient and modern, have been made. It was the most renowned cult image of Athens,〔The ''Athena Parthenos'' was featured on contemporary reliefs commemorating Athenian treaties and for the next century and a half on coins of Hellenistic monarchs avid to proclaim their Hellenic connections, see Hector Williams, "An Athena Parthenos from Cilicia" ''Anatolian Studies'' 27 (1977, pp. 105-110), p 108f.〕 considered one of the greatest achievements of the most acclaimed sculptor of ancient Greece. Phidias began his work around 447 BC.〔Andrew Stewart gives 446.〕 Lachares removed the gold sheets in 296 BC to pay his troops, and the bronze replacements for them were probably gilded thereafter; it was damaged by a fire about 165 BC but repaired. It continued to stand in the Parthenon in the 5th century AD, when it was removed by the Romans. An account mentions it in Constantinople in the 10th century.〔Gisela Richter, ''Sculpture and Sculptors of the Greeks'', p 220 with ancient references, noted by Gorham P. Stevens, "Concerning the Parthenos" ''Hesperia'' 30.1 (January 1961, pp. 1-7) p. 2.〕 ==Description== The ancient historian Pausanias gave a description of the statue: ...The statue is created with ivory and gold. On the middle of her helmet is likeness of the Sphinx ... and on either side of the helmet are griffins in relief. ... The statue of Athena is upright, with a tunic reaching to the feet, and on her breast the head of Medusa is worked in ivory. She holds a statue of Victory that is approx. Four cubits high, and in the other hand a spear; at her feet lies a shield and near the spear is a serpent. This serpent would be Erichthonius. On the pedestal is the birth of Pandora in relief.〔Pausanias, ''Description of ancient Greece'', Book I, 24.5–7.〕 The general appearance of the ''Athena Parthenos'', although not its characteristics and quality, can be assessed from its image on coins〔L. Lacroix ''Les reproductions des statues sur les monnaies gracques'' (Liège) 1949, pp 266-81.〕 from its reproductions as miniature sculptures, as votive objects, and in representations on engraved gems.〔Leipen 1971.〕 Athena's head is inclined slightly forward. She stands with her left hand resting on an upright shield. Her left knee is slightly bent, her weight slightly shifted to her right leg. Her peplos is cinched at the waist by a pair of serpents, whose tails entwine at the back. Locks of hair trail onto the goddess's breastplate. The Nike on her outstretched right hand is winged; whether there was a support under it in Phidias' original has been much discussed;〔Gisela Richter decided there was not and summarized the discussion in "Was there a vertical support under the Nike of the Athena Parthenos?" ''Studi in onore... Calderini e Paribeni'' (Milan) 1956, pp 147-54.〕 evidence in surviving versions is contradictory. The exact position of a spear, often omitted, is also not fully determined, whether held in the crook of Athena's right arm or supported by one of the snakes in the aegis, as N. Leipen restores it,〔Leipen 1971:29.〕 following the "Aspasios" gem. The sculpture was assembled on a wooden core, covered with shaped bronze plates covered in turn with removable gold plates, save for the ivory surfaces of the goddess's face and arms; the gold weighed 44 talents, the equivalent of about ; the ''Athena Parthenos'' embodied a sizeable part of the treasury of Athens. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Athena Parthenos」の詳細全文を読む スポンサード リンク
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